Paul McCartney's Tribute to Chuck Berry

He also studied hairdressing and cosmetology at night school and for years would supplement his income during these early years in a series of factory, custodial and hairdressing jobs, working as a beautician (as you can see from his photos, his always liked to look good, keeping his mustache trimmed and slicking back his hair).

Darphne Merkin wrote in  in 2005 at the time of Sandra Dee’s death:

As a companion piece to "Mooning," Rizzo makes the comparison more personal with "Look at Me, I’m Sandra Dee," an assault on Sandy’s false role models, a shot across the bow, making certain that Sandy knows that Rizzo knows that it’s all bullshit. The music is a classic, brilliantly imitative 1950s novelty song, with a meter and an introduction lovingly ripped off from David Seville’s "The Chipmunk Song," the surprise hit of the 1958 Christmas season. But the laughs get even darker when you realize that every male movie star mentioned in the lyric was a closeted gay man, forced to live a lie by his studio. This is a song about sexual repression, false lives, and false role models, and it’s proof that Rizzo knows more than we thought, that she has genuine insight into the world around her. And this peek into her mind allows her to carry the weighty "There Are Worse Things I Could Do" later in Act II.


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As you’d expect from the Bear Family label, which specializes in gargantuan reissues, this 16-CD, 396-song box doesn’t simply span Berry’s career, it embraces virtually every musical note the man has ever issued.


Thirty Days (To Come Back Home)4.

Culture popped – in shades of turquoise, pink, salmon, and, if one color wasn’t enough, delicious two-tones. Madison Avenue created an unlikely world of perfect appliances and perfect families, of highballs and hi-fis, Bermuda shorts and backyard barbecues. In the ads, the wives are beautiful (mowing the lawn in peasant blouses and a hint of lingerie); the children above average (exuberantly joining in the Saturday morning car wash). Over the clink of ice cubes, Americans mingled and misbehaved.

How High The Moon (Instrumental)28.

After World War II, most adult women had been expected to leave behind the independence of their lives on the home front during the war and return to a life of near complete dependence again – no more job, no more money, no more sexual control or choice. Betty Friedan wrote of the times, "It was fun at first, shopping in those new supermarkets. And we bought barbecue grills and made dips out of sour cream and dried onion soup to serve with potato chips, while our husbands made the martinis as dry as in the city and cooked hamburgers on the charcoal, and we sat in canvas chairs on our terrace and thought how beautiful our children looked, playing in the twilight, and how lucky we all were, and that it would last forever." These were the real people behind the metaphor of the 1956 film As says, "Conformity became a national passion, part of a return to sexual and political conservatism."

Hope These Words Will Find You Well – Joe Alexander30.

The Battle Over Sex has always been waged between the Haves and the Have-Nots in America. Throughout history, there has been great sexual freedom and little shame among the Have-Nots, since they have nothing which can be imperiled. But the Haves are always terrified of any kind of cultural change, especially sexual, because the fallout could always endanger their position as Haves. Sandy is a Have, Danny is a Have-Not. The sparks are bound to fly.