Shakespeare has created an erotic thriller based on a human emotion that people are all familiar with. There is an extraordinary fusion of characters' with different passions in Othello.
The play neither portrays nor evokes stable responses to Othello's black- ness. The image of "an old black ram" is more than counterbalanced by references to the noble and valiant Moor. On the whole, Othello's blackness and cultural displacement are correlative of, rather than contrasting with, his role as self-defined, autonomous citizen. Othello is confident of the respect he commands in Venice. Iago manipulates him not through his alien exoti- cism but through his Venetian need for social order and epistemological clarity. Like his possessive jealousy, Othello's perverted sense of justice is "a monster / Begot upon itself, born on itself" (3.4.161 -62).
Free Shakespeare's Othello essays Essays and Papers
In the volume Shakespeare and Tragedy John Bayley denies that jealousy is a major causative factor in the play: The play eludes with ease any attempt to pin it down to a solution: why it happened, what caused it, what weakness in Othello was involved.
Iago's jealousies In Shakespeare's Othello ..
Although there are many examples of these opinions within the play, I believe there is much more evidence which contradict these two statements, which allow me to conclude that Othello is in fact a jealous man and that Iago does have motives.
Iago Essay – Free Papers and Essays Examples
Bradley, in his book of literary criticism, Shakespearean Tragedy, describes the dominant motivating passion in Othello: In the second place, there is no subject more exciting than sexual jealousy rising to the pitch of passion; and there can hardly be any spectacle at once so engrossing and so painful as that of a great nature suffering the torment of this passion, and driven...
Iago Essays | Page 3 - StudentShare
"Gasparo Contarini, The Cornrnonwealth and Gouernment ofvenice, trans. Lewes Lewkenor (Lon- don, 1599), sig. A2". References in Othello to Lewkenor's translation are recorded in A New liariorurn Edition ofShakespeare: Othello, ed. Horace Howard Furness (Philadelphia: J. B. Lippincott, 1886), 1.1.200n, 1.3.61n; and William R. Drennan, " 'Corrupt means to aspire': Contarini's De Republica and the Motives of Iago," Notes & Queries 35 (1988): 474-75.
which possessed different motives and goals of either good or evil
Othello does not, like Iago, number love among "our raging motions"; but, as several critics have shown. he becomes vulnerable to Ia~o's identification of