When the speaker got the news that his friend, who saw service in that war, was coming back, he was then in an emotional conflict between the eagerness to see his friend returning from the war and the worry about if his friend was still alive or not because he understood the cruelty of the war.
The fury of a demon instantly possessed [the man]." He took a penknife from his waistcoat pocket, "and deliberately cut one of its eyes from the socket!" When morning came, the narrator saw what he had done to the poor creature on the previous night.
“The Sound and the Fury” : A Synopsis – NeoEnglish
ATLANTIS MYTH: A motif common in mythology in which an ancient, wise, or powerful civilization once existed in a past golden age but floods destroyed it. Plato popularized the myth in his works Timeaus and Critias, where he describes the arrogant island of Atlantis as an adversary of Greek civilization 9,000 years before his own day, but the gods disfavor the island's , and they submerge it into the Atlantic Ocean. Although Plato's references are brief, they have inspired some archeologists to link it with the Island of Thera (which was destroyed by volcanic erruption that triggered tidal waves devastating Minoan civilization in 1900 BCE). Likewise, they have inspired fiction writers to produce a number of later fantastic works. The allegorical aspects of the island influence Francis Bacon's New Atlantis, Thomas More's Utopia, and Stephen Lawhead's Taliesin. Among the Inklings, it plays a part in C.S. Lewis's The Magician's Nephew, where dust from Atlantis serves as a component of magical rings, as well as in Lewis's space trilogy. C.S. Lewis also uses it as a comparison to being overwhelmed by grief in his autobiography, Surprised by Joy. Charles Williams plays with the motif in Taliessin Through Logres. Other like J.R.R. Tolkien use the myth indirectly, as Tolkien uses it as an analogue in The Silmarillion, in which Númenor was a huge island in the Sundering Sea, west of Middle-Earth. These Númenorians grew obsessed with the search for immortality, and eventually their culture died when their island sank. In medieval legends, other analogues to the Atlantis myth include the legends of Logres and Lyonesse (which medieval tales located in the Atlantic Ocean southwest of Cornwall and Landsend), and older appear in Mesopotamian and Hebrew myth such as in the Old Testament accounts of the flood. A common erroneous claim is that flood myths are universal world-wide, though it actual point of fact, legends in which the world or a civilization die in floods primarily appear in cultures in geographic areas subject to regional flooding. Areas without such flooding do not tend to have Atlantis myths or flood myths.
Macmillan - Distinguished & Award Winning Global …
Elizabeth, meanwhile, was paralysed by indecision. She did not wish to meet the woman she considered her rival, but knew that if she released Mary her own life would be in danger. Elizabeth remained, however, fascinated by the Scottish Queen. Mary was said to be a great beauty who exerted a strange power over men and, whenever any minister returned from a visit to the now belligerent Mary, he was quizzed by the Queen on her looks, her clothes, her attractiveness compared to herself. Similarly Mary would ask after Elizabeth. But the two Queens never met.
Literary Terms and Definitions A - Carson-Newman …
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George Orwell – Fifty Essays. HOW THE POOR DIE | …
The dashing Earl of Leicester was something of a showman. He wanted to impress the Queen and, in the summer of 1575, threw a party at Kenilworth Castle which no one could forget. It took years to prepare for. He altered the layout of his castle, building luxurious new apartments for the Queen and her huge entourage. The entertainment lasted several days with fine banquets, jousting and spectacular firework displays. He had shown the Queen how much he adored her and, just as he had hoped, eclipsed everyone else. It was Leicester's finest hour.