For Frost by all accounts was genuinely fond of Thomas. He wrote his only elegy toThomas and he gives him, in that poem, the highest praise of all from one who would,himself, hope to be a "good Greek": he elegizes Thomas as "First soldier,and then poet, and then both, / Who died a soldier-poet of your race." He recallsThomas to Amy Lowell, saying "the closest I ever came in friendship to anyone inEngland or anywhere else in the world I think was with Edward Thomas" 220). Frost's protean ability to assume dramatic masks never elsewhere included such afriend as Thomas, whom he loved and admired, tellingly, more than "anyone in Englandor anywhere else in the world" 220). It might be argued that in Thomas in "The Road Not Taken," Frost momentarily loses his defensivepreoccupation with disguising lyric involvement to the extent that ironic weapons failhim. A rare instance in Frost's poetry in which there is a loved and reciprocal figure,the poem is divested of the need to keep the intended reader at bay. Here Frost is notwriting about that contentiously erotic love which is predicated on the sexual battlesbetween a man and a woman, but about a higher love, by the terms of the good Greek,between two men. As Plato says in the (181, b-c), "But the heavenlylove springs from a goddess [Aphrodite] whose attributes have nothing of the female, butare altogether male, and who is also the elder of the two, and innocent of any hint oflewdness. And so those who are inspired by this other Love turn rather to the male,preferring the more vigorous and intellectual bent." If the poem is indeed informedby such love, it becomes the most consummate irony of all, as it shows, despite one levelof Frost's intentions, how fraternal love can transmute swords to plowshares, how, indeed,two roads can look about the same, be traveled about the same, and be utterly transformedby the traveler. Frost sent this poem as a letter, as a communication in the most basicsense, to a man to whom he says, in "To E. T.," "I meant, you meant, thatnothing should remain / Unsaid between us, brother . . . " When nothing is meant toremain unsaid, and when the poet's best hope is to see his friend "pleased once morewith words of mine," all simple ironies are made complex. "The Road NotTaken," far from being merely a failure of ironic intent, may be seen as a touchstonefor the complexities of analyzing Frost's ironic voices.
Sihumana, a young Hopi girl, is a member of the Rabbit Clan. Like her mother and grandmother before her, she is getting ready to take part in the traditional Butterfly Dance, performed late each summer to bring rain to the dry lands, to make the corn grow, and to bring back the butterflies. Although she has practiced very hard for weeks, Sihumana is feeling nervous as she puts on the beautiful headdress her partner has made for her. Then the singers and the drummer march into the plaza, singing the Butterfly Song, and the dance begins.
Powers of gandhiji for students othello essay for a critical reading.
Although the narrator of this poem is faced with a dilemma, he still makes the best decision possible and takes the best road, which happens to be one that no one else has chosen to take....
Critical Essays and Resources on 'The Road' - …
Two waies are proposed and laide open to all, the one inviting to vertue, the other alluring to vice; the first is combersome, intricate, untraded, overgrowne, and many obstacles to dismay the passenger; the other plaine, even beaten, overshadowed with boughes, tapistried with flowers, and many objects to feed the eye; now a man that lookes but only to the outward shewe, will easily tread the broadest pathe, but if hee perceive that this smooth and even way leads to a neast of Scorpions: or a litter of Beares, he will rather take the other though it be rugged and unpleasant, than hazard himselfe in so great a daunger.
The Road Not Taken Essay - 341 Words - StudyMode
Frost seems to have deliberately chosen the word "roads" ratherthan "waies" or "paths" or even "pathways." Infact, on one occasion when he was asked to recite his famous poem, "Twopaths diverged in a yellow wood," Frost reacted with such feeling"Two"that the transcription of his reply made it necessary bothto italicize the word "roads" and to follow it with an exclamationpoint. Frost recited the poem all right, but, as his friend remembered, "hedidn't let me get away with 'two paths!'"
Critical Essay On Othello - Scanstrut
A close look at the poem reveals that Frost's walker encounters two nearlv identicalpaths: so he insists, repeatedly. The walker looks down one, first, then the other, Indeed, "the passing there / Had worn them reallv about thesame." As if the reader hasn't gotten the message, Frost says for a third time."And both that morning equally lay/ In leaves no step had trodden black." What,then, can we make of the final stanza? My guess is that Frost, the wily ironist, is sayingsomething like this: "When I am old, like all old men, I shall make a myth of mylife. I shall pretend, as we all do, that I took the less traveled road. But I shall belying." Frost signals the mockingly self-inflated tone of the last stanza byrepeating the word "I," which rhymes - several times - with the inflated word"sigh." Frost wants the reader to know that what he will be saying, that he tookthe road less traveled, is a fraudulent position, hence the sigh.
The Road Not Taken Poetic Literary Essay - ASFM Tech
Convinced that the poem was deeply personal and directly self-revelatoryFrost's readers have insisted on tracing the poem to one or the other of twofacts of Frost's life when he was in his late thirties. (At the beginning of theDante is thirty-five, "midway on the road of life,"notes Charles Eliot Norton.) The first of these, an event, took place in thewinter of 1911-1912 in the woods of Plymouth, New Hampshire, while the second, ageneral observation and a concomitant attitude, grew out of his long walks inEngland with Edward Thomas, his newfound Welsh-English poet-friend, in 1914.