Educational users and researchers must use properdocumentation procedures, crediting both the publisher, ChristofferNilsson and the author, Martha Womack.
For example: while a persuasive paper might claim that cities need to adopt recycling programs, an argument paper on the same topic might be addressed to a particular town. The argument paper would go further, suggesting specific ways that a recycling program should be adopted and utilized in that particular area.
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Roderick and Madeline are not just brother and sister but twins who share "sympathies of a scarcely intelligible nature" which connect his mental disintegration to her physical decline.
I heard them--many, many days ago--yet I dared not--"
"He was enchained by certain superstitious impressions in regard to the dwelling which he tenanted, and whence for many years, he had never ventured forth...." Roderick also makes another connection between a house and a person in the poem, "The Haunted Palace." The crack in the Usher mansion which is at first barely discernible by the narrator, symbolically suggests a flaw or fundamental split in the twin personality of Roderick and Madeline, and fortells the final ruin of both family and mansion.
I tell you that she now stands without the door!"
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(See Style and Interpretation )
Poe uses the phrase "House of Usher" to refer to both the decaying physical structure and the last of the "all time-honored Usher race...." Roderick has developed a theory that the stones of the house have consciousness, and that they embody the fate of the Usher family.
The narrator is a boyhood friend of Roderick Usher.
As Madeline's mysterious illness approaches physical paralysis, Roderick's mental agitation takes the form of a "morbid acuteness of the senses" that separates his body from the physical world making all normal sensations painful: "...the most insipid food was alone endurable; he could wear only garments of certain texture; the odors of all flowers were oppressive; his eyes were tortured by even a faint light; and there were but peculiar sounds, and these were from stringed instruments, which did not inspire him with horror."
Chicago, Illinois: Harcourt Brace Jovanovich, Publishers, 1989.
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